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Turning sorrowfully away, she drops some silver into the poor widow's lap; whereon Geoffrey, who has been standing close to her all the time, covers it with two sovereigns. But when they have turned a corner and are quite out of sight and hearing, Rodney stops short and says, hurriedly,— "Why do you say that?" he asked..

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"Yes; it was of them I thought," he says, turning his head away,—"of the—lovers. I wonder if their evening was as lovely as ours?" After a little time she succeeds in partially lifting the cloud that has fallen on her brother. He has grown strangely fond of her, and finds comfort in her gentle eyes and sympathetic mouth. Like all the rest, he has gone down before Mona, and found a place for her in his heart. He is laughing at some merry absurdity of hers, and is feeling braver, more hopeful, when a little chill seems to pass over him, and, turning, he confronts a tall dark young man who has come leisurely—but with a purpose—to where he and Mona are standing. The whole of the long north gallery is flooded with its splendor. The oriel window at its farther end is lighted up, and from it can be seen a picture, living, real, that resembles fairy-land. "Forgive me that I showed surprise. Your uncle is more advanced than I had supposed. He is right. Why should a pig be esteemed less lovely than a stag? Nature in its entirety can know no blemish. The fault lies with us. We are creatures of habit: we have chosen to regard the innocent pig as a type of ugliness for generations, and now find it difficult to see any beauty in it.".